In March 1872, the Trinity Church parish in Boston invited
several architects to submit designs for their new church.
They wanted to move from the old Trinity Church on Summer
street to the
Copley Square in
Back
Bay, a brand new but popular district.
Most designs submitted were in the then popular Victorian
Gothic style. But the commission was awarded to a design
by Henry Hobson Richardson. He proposed a relatively
low church based on Romanesque architecture found in southern
France.
Richardson's innovative style, also displayed in the now destroyed
Marshal Fields Wholesale Store in
Chicago
would become known as 'Richardson Romanesque'.
Richardson
chose for a plan with a Latin cross, with a semicircular
apse added to the eastern side. The tower is relatively
low and wide, and centrally located. The central location
of the tower was chosen as most desirable as the building
fronts three streets.
Because
of its strength, granite was used as the main building
material and red sandstone for the trim. The large granite
stones, with a minimum height of 24 inches and length
of 1 ft were quarried in Westerly, Rhode Island.
Due
to the choice of material, the building's tower had
an immense weight. To support the building on a the
wet filled marshland in
Back Bay,
a space ninety feet square has been reserved for the
tower foundation. This

was
filled with wooden piles. Concrete was used to prevent
lateral movement of the piles, but the piles actually
supported (and still support) the tower. On top of the
piles are four granite pyramids which in turn support
the corner piers of the 40,000 ton weighing tower. In
order to prevent the wooden piles from rotting, the
water level beneath the church is constantly monitored.
Trinity Church was consecrated on February 9, 1877,
more than four years after the old Trinity Church was
destroyed in the Great Boston Fire of November 1872.
The original facade was flat and the towers were much
simpler than they are today. On Richardson's own recommendation,
the towers were later remodeled. The current portico
was also added later. It is based on sketches made by
Richardson on a trip to Arles in France.